scamcouver

fear & loathing in Lotusland

Toxic Gas

by Zbigniew

Chrusty

The record states that Chirsty was a Liberal of the national variety. In hindsight it makes altogether much sense that she would feel at home in that most mercurial of parties -the technical institute for bait left/govern right and its variant, short-term populism.

At SFU in the 1980s I figured her for a Bill Bennett supporter, given the close company she kept with a pair of proto-douche Young Socreds. They proved an inseparable troika, apparently bound by an oath of high volume ideological boorishness.

Their arrival to our mutual third year political science seminar was typically heralded by a loud exchange regarding, for example, the various merits of Friedmanite economic theory. These conversations were regularly punctuated by the phrase “Totally FJ”. As far as I could determine from my perch across the room in the company of a loose coalition of shaggy and nicotine-scented lefties, this sounded like a label of derision and/or dismissal along the lines of “Dave Barrett is Totally FJ”; or, “the Agricultural Land Reserve? Totally FJ”.

*

While it’s a perfectly acceptable strategy to give your opponent enough room to hit the ground, I’m extravagantly disappointed that somebody representing an East Vancouver riding would hesitate to employ a good solid kick to the solar plexus to keep said opponent horizontal.

It’s a depressing thought that in the absence of a judiciously applied “boot fuck” the Harper-associated, hardhat-wearing Premier Hockeymom will not face a well deserved exile back to that dark corner of the radio dial that is the natural habitat of reactionary cranks and the lumpen suburbantariat. Now we can look forward to the scam washing-up in thick globs on our nominally fair shores: rather than a good hard look at the books, more slop for the PavCo trough and dodgy casino deals; in place of a 21st century dream factory, it’ll be 19th century resource extraction and the nightmare of coal dust particulates and toxic gas events.

Totally FJ.

No Imagination

by Zbigniew

DSCN0134“Vancouver is a strange place that doesn’t want to imagine itself, doesn’t want to codify its signifiers, to write its history, its meaning, its sociology. The robber barons and developers, resource exploiters who thought that because they were white with might they couldn’t so much inscribe themselves on the land as ensure no one else could -that they could insist on Vancouver being a non-place.”

Loretta Sarah Todd, Pacific Cinematheque, May 16, 2013

Mouthpiece

by Zbigniew

Straight

The Georgia Straight was founded in 1967 by the troublemaker collective of Pierre Coupey, Milton Acorn, Dan McLeod, Stan Persky, and others. In its early days the paper was fined for publishing obscenities and was frequently banned for its criticism of The Man -usually personified in the form of lumpy reactionary and real estate industry point man Mayor Tom Campbell.

While counterculture soon gave way to conventional news and entertainment, it was of the decidedly progressive-with-a-heavy-dose-of-smarm variety. In the ‘80s and ‘90s that meant Filbrandt (Wombat, then Dry Shave), withering recaps of Pacific Coliseum-scale concerts, and –especially- the movie reviews.

Thursday evenings I would spend bathing in the Straight’s eviscerations of the latest Hollywood dreck, of which there was an endless supply. I can still recall the write-up for the Jean-Claude Van Damme schlock vehicle Sudden Death, wherein the reviewer opined that the Pittsburgh Fire Department must have waived its minimum height requirement for the Muscles from Brussels. Or the review for David Fincher’s Se7en, which would appeal to those that enjoyed being held down to have Hollywood producers urinate into their eyes. A modest, and entertaining, speaking truth to power.

But somewhere near the millennium, it ended. The weekly ritual sacrifice gave way for the modern school of film criticism –which is to say, no criticism at all. And so to today: what once was ripped open and laid bare is blandly endorsed as an undemanding means of killing a couple of hours.

What happened? A general increase in the public’s appetite for decadent cultural fare? A sudden and steep decline in literacy? The corporate pissing match of gate receipts might be closer to it; all those full-page movie ads must have served the distributors well as both carrot and stick, I reckoned.

*

Wading through all the full-page condo adverts has become something akin to sifting through shit to find whole peanuts.

With Volume 47 Number 2367 (May 2 – 9 / 2013) of the Georgia Straight, the peanut is no longer available.

There’s nothing to indicate that the page 21 article entitled “Chinatown sees a heritage-hip surge” is a paid advertisement. It looks like a Straight article, it’s written by Associate Editor Gail Johnson, and its referenced on the issue’s front page.

It is, however, pure real estate ad copy and lifestyle bumpf and it flogs a number of yet-to-be built Chinatown condo projects. There are no contrary points of view, just an endless stream of good news: developers have “a strong, shared desire to respect what’s come before”, one-bedrooms are “all priced under $400,000”, and neighbourhood entertainment options that include “dumpling cook-offs”.

And to top things off, the print edition facing page is a full-page ad for The Keefer.

Dear Georgia Straight: it’s over -The Man played the long game, and he won.

“Live, Live, Live”

by Zbigniew

60880008

Walking by yet another development promoting “Live, Work, Play” and I wonder if the mantra isn’t getting a little tired –and, let’s be honest, a little dishonest, as the adjacent “Work” and “Play” will be inevitably converted into “Live” and “Live”, respectively.

Perhaps its time for a catchphrase update; something fresh, yet bracing and cynical. To that end, a few thoughts:

Live, Work, Schtump

Live, Work, Struggle to Make Mortgage Payments

Reside, Produce, Engage in Sanctioned Recreational Activities

Work Eight Hours, Sleep Eight Hours, Play Eight Hours*

Drink a Coffee, Walk the Dog, Bag the Shit

Live in a Box, Work in a Box, Be the Box

Exist, Toil, Distract

Invest, Hold, Sell

Any more?

Courtesy of They Live

Mothers

by Zbigniew

Mothers

3240 Main Street

Seen in Passing: Adanac & Penticton

by Zbigniew

This is

You Say Ni Hao

by Zbigniew

A Saturday in early Spring. Sunny, warm, but cool and damp in the shadows and under the clouds, the soil heavy with water, the streets dusted with cherry blossoms. A day made for a drift. In some other time, some other place, some other altogether, on order of the duly drafted President of the Republic, with the unanimous consent of the Union of Drifters & Idlers, today would be a holiday.

We marked the occasion anyway.  In no hurry -a prerequisite for such perambulations- we set out. Our destination, decidedly imprecise: West, by Northwestish.

We improvised a path through quiet, tree-lined streets, across busy thoroughfares, past resting warehouses, over train lines and into deserted alleyways. Time slowed to a dawdling pace punctuated by numerous pit stops to take in the eclectic juxtapositions: a old house lost in a flurry of improbable additions next to a tiny, sharply modern laneway bungalow; a near-wild garden with a mattress frame gate across from a completely paved-over back yard; an enormous, property-straddling rusted structure of remarkable vintage and unclear purpose; a bit of cryptic graffito.

DSCN0194

We walked on. A zig at Gore, a zag at Keefer and with the sun in my eyes I stopped in my tracks. I took in the street slopping west, lined by a hodgepodge of buildings of the indistinctly functional variety. Two blocks away, where the decline met fill, a kink in the grid, the Canadian Chinese Monument standing abeam the street, framed by the Sun Yat-sen Park -itself framed by the silhouetted forest of glass and steel towers further west.

I stood looking at this real-time portrait for a time. Perhaps it was just the day -the sunlight, the indulgent company, the mild dose of intoxicants- but on this day I felt the low-level voltage of an alignment -of geography, scale, and history, of the contrast and the link between the over there and the right here: a highly unlikely balance born of anarchy.

Just a few paces on towards Main and this delicate symmetry vanishes completely. The result of a slight change in angle? A modest dimming of the light?

At the corner, the source of the disruption: the unmistakable signs of the impending reality of twin out-of-scale and out-of-place structures that will flank Keefer; a couple of over-sized, angular boils that will indelibly mark the illnesses’ relentless spread East. Far from complete, but already sucking energy.

“Ni Hao,” announce the hoarding to the South.

I say goodbye.

Keefer

Fantasy Gardens (Take 2)

by Zbigniew

Camera: Zbigniew Cylbulski

Fantasy Gardens (Take 1)

by Zbigniew

Camera: Johnny Drift

Welcome to Vancouver

by Zbigniew

La Menace, Alain Corneau, Director (1977)